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#31
You can view the story here on the plaza:

https://grometsplaza.net/eroticstories/storiesad/bright_room.html
M/f; captive; box; transport; enema; bond; drugs; catheter; climax; reluct; X

Please feel free to leave your kind comments and feedback about this story here.

Thanks  ;)
#32
Pet & PonyGirl Stories / Re: Vanity Mare by thepinkbish...
Last post by teanndaorsa - May 03, 2025, 08:02:27 PM
Part 2 (of 5) up tonight, enjoy!
#33
Links / Re: tugstories.com is there a ...
Last post by teanndaorsa - May 03, 2025, 06:21:32 PM
It's definitely not just you, the site itself is down in a way that you won't be able to get around.  :(
#34
Links / tugstories.com is there a link...
Last post by emmasbound - May 03, 2025, 02:13:04 PM
Hi there is anyone a member of the above site and have they noticed the firewall message:-
https://tugstories.com
Sucuri Website Firewall - Not Configured

or is it just me that's buggered reading the stories?
How did you get around it?

Thanks
Emma
#35
A shell game of mummy cases is a very interesting idea. Or the turning of a variety of people of close but not exactly matching body dimensions into matching statues. But in either case subjecting them to similar stimulation and comparing results, then engaging in feedback loops to drive them to higher and higher levels of excitement.

I must beg pardon for my overuse of commas, the few times I've actually had someone edit my work, that has been a recurring comment.

I'm glad the "wicked glee" was conveyed in a manner you enjoyed.

As a male writer it is easier for me to write from Phil's perspective, but I hope I've done justice to Maggie and Paula as three dimensional characters and their motivations. Not simply plot devices to get Phil into more and crazier situations.

Smell is probably easy enough to simulate or use to stimulate, taste a little more difficult. More ideas to throw into future designs of Fantastic Plastics bag of trick and ways to torment Phil.

-Baronlaw, comma abuser.
#36
Worried minds should remember that they are on record as liking surprises, so should not expect any answers before the results speak for themselves, in whatever form that might end up taking.

For the size of pieces that are printed, I have the general feeling that there are two broad markets to target here. One is the "minimal" look where the who is almost visible and perhaps quite accessible. Making the person contained a key part of the appearance of the finished display piece.

The second broad area being where the final outside is more than big enough to contain a person, or more than one person, but there is no need for there to be any sense that a person is in there, only those in the know would have any idea that this was even an option.

Now saying this an interesting idea for a middle ground appears... consider two or three women of similar height and roughly similar build. Now consider three fully equipped "cases", all of the sensors and stimulators you could possibly want, but the cases have identical human outsides. Just big enough to contain the tallest body, widest hips, etc of the three women. Perhaps slightly too small if they are to be compressed a little along with encased!

Once the three women are locked up there's is no way to tell who is inside which display statue. You can monitor their responses to various stimuli, but would this be enough to work out who was in which case? Does it even matter? This is something that really plays with the whole objectification and dehumanisation of what is going on here, but differently.

I will admit I am not quite sure yet where this idea might lead, but it does cycle back to an odd idea I came across years ago in a bondage story book by House of Gord. In this story there was a society where the women were kept very much as sex objects, but they wanted the women to be judged objectively, on their sexual skills, not on their looks.

In the story this involves keeping unmarried women in devices that kept most of their bodies bound and hidden, so all you could judge a woman on was mid torso to mid thigh, and her sexual performance, since the exposed part was quite naked and available.

Not really a direct overlap with this story at all, but there is something in the delightfully anonymous nature of the engagement, combined with the almost invasive level of monitoring and awareness of what they respond to that makes me think of this as a way of moving past how women look and getting more in tune with their sexual beings...


Back to the story as is I have just finished reading and editing part 3 for my re-reading pleasure. Let me know if you would like a copy. It's mostly tidying up commas when there is dialog.

But the point, it is where the two women watch Phil have an orgasm from the electrostim. There are two threads to the response, firstly how the company is going to love the data, and secondly how they are going to use this knowledge to drive Phil wild.

It is a very vivid moment, you can feel the wicked glee coming from the page, and it does beg the question of what data and experiments they have been asked to seek out... although on reflection, it can probably be summed up as any and every way to drive a captive wild with lust, especially since the shell gives them the scope to fully control all touch input over the entire body, everything they hear and see...

Smell and taste are actually up for full control too if they wanted to put the work in, for a serious leap forward in terms of how they control someone and what they experience!!!
#37
Your Bondage Stories / Re: 2014 last ride in her car ...
Last post by cartrunkman - May 02, 2025, 03:56:46 PM
finished the story!!  now its completed, she showed me pictures of the car next day, but it even didnt seem that bad, seemed more like slight fender bender
#38
"Must resist evil plotting at recalcitrant authors...

Nope, stupid idea, back to work!!!"

Are you resisting the urge to evil plot, or getting back to work on it?

Worried minds want to know!

I see your point about the visibility issues with the sarcophagus and of course the sheer bulk of it, as a sales tool. I will need to think on the concept of "while you wait" on demand printing in regards to printing demo pieces some more.

Of course "word of mouth" among high end customers will be the most effective tool for "bespoke" pieces, custom ordered for the rich and jaded and truly kinky.

Luckily Phil is not only a willing participant but a rather eager one, we will have to see where that leads him on these flights of fantasy.

-Baronlaw
#39
Being a bit more on topic, the point about the AI being used to reprogram someone, it is a very dangerous and open ended idea.  More than that though, it risks changing the basic dynamics and character driven nature of the entire story so far.

Some form of feedback loops, based on what Phil, or anyone else secured inside one of these fun devices, is one thing, but you want to keep some element of human connection here, otherwise you are likely to loose what makes this fun and "romantic", turning it cold and "robotic", for want of a better word.

It comes down to what you are looking to achieve here, where you want to go, and if you are looking to keep Phil as a willing and interested participant, which clearly you are.

As for the plates that go into the sarcophagus, the "problem" with them for the idea I was toying with is that the final result, from the outside, is "just" a sarcophagus.  Now there is nothing wrong with that at all, in fact it is very good, but it doesn't have the same visual appeal as a statue, and it is a lot bigger and somewhat heavier to transport.  Plus its generally a bigger print job, unless you have a selection of sarcophagus pre-prepared on hand.

It comes down to what you are trying to achieve here, but it is good that there are lots of ideas being explored here, since I do feel there is lots of interesting potential here :)
#40
Must resist evil plotting at recalcitrant authors...

Nope, stupid idea, back to work!!!
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