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#1
Looking for a Story / Unlocking the Secrets of Grann...
Last post by Matthew Yefimov - Today at 02:47:23 AMAre you a fan of heart-pounding suspense, cunning puzzles, and the exhilarating thrill of outsmarting a relentless foe? If so, you're in for a treat with Granny. This chilling mobile horror game has captivated millions with its simple yet terrifying premise: escape a decrepit house before its titular, malevolent inhabitant catches you. But beneath the jump scares and eerie atmosphere lies a surprisingly deep and strategic experience. If you've ever wondered how to navigate Granny's house of horrors, or simply want to sharpen your survival skills, this guide is for you.
1. Welcome to Granny's Labyrinth
Granny isn't your typical horror game where you're armed to the teeth or have a clear objective. Instead, you wake up disoriented, trapped in a decaying house, with a single, terrifying goal: escape. Your captor is Granny, a seemingly frail old woman who possesses surprising speed, acute hearing, and a penchant for inflicting pain. The game thrives on atmosphere, relying on creaking floorboards, distant thuds, and Granny's unsettling humming to keep you on edge. It's a test of patience, observation, and quick thinking, where every decision could mean the difference between freedom and a painful end. This article will delve into the core gameplay mechanics, offer crucial tips for survival, and hopefully, empower you to finally break free from Granny's clutches.
2. Gameplay: A Dance with Danger and Discovery
The core gameplay loop of Granny revolves around exploration, puzzle-solving, and evasion. You have five in-game days to find all the necessary items to open the main exit. Each day, you'll respawn in the same initial room, but Granny's patrol patterns and item locations can vary slightly, keeping you on your toes.
Exploration and Item Collection: The house is a multi-story maze filled with locked doors, hidden compartments, and a surprising number of useful objects. Your primary task is to find various tools: a hammer for breaking boards, a wrench for loosening bolts, a cutting plier for wires, a padlock key, a main door key, and sometimes even a crossbow or shotgun to temporarily incapacitate Granny. These items are often scattered in obscure locations, requiring you to search every nook and cranny, from dusty attics to the dark, spider-infested basement. Be methodical in your searches; a single missed item can lead to endless frustration.
Puzzle Solving: Many of the exit-related items are not directly accessible. Instead, they're part of multi-step puzzles. For instance, you might need to find a specific key to unlock a cabinet, which then reveals another item needed for a different puzzle. These puzzles are generally logical but require careful observation of environmental clues. Pay attention to notes, diagrams, or even the layout of rooms, as they often hint at solutions.
Evasion and Stealth: This is where Granny truly shines as a horror game. Granny's hearing is incredibly sensitive. Dropping an item, knocking over a vase, or even running too loudly will alert her to your presence. Once alerted, she'll come rushing to your location, often appearing from unexpected directions. Your primary defense is stealth. Crawl when necessary, move slowly, and listen intently for her footsteps or the tell-tale creak of a door opening. If she spots you, your options are limited: hide in a closet or under a bed, or attempt to create distance and break line of sight.
Tools for Survival (and Temporary Relief): While direct confrontation is usually a bad idea, there are a few ways to temporarily deal with Granny. The crossbow and shotgun, if found, can stun her for a brief period, giving you precious seconds to escape or complete a task. Be mindful that ammunition is scarce, so use these weapons strategically. Other items like the teddy bear can distract her, drawing her attention to a different part of the house.
3. Tips for Surviving Granny's House
Now that you understand the basics, let's dive into some practical advice to increase your chances of escape.
Learn the Layout: The first few "days" should be spent familiarizing yourself with the house. Understand where rooms connect, where potential hiding spots are, and where common item spawns might be. Knowing your escape routes is crucial when Granny is hot on your heels.
Sound is Your Enemy (and Your Friend): Avoid making unnecessary noise. However, intentionally making noise can be a viable strategy. Dropping an item in one part of the house to draw Granny away while you work on a puzzle in another area can be highly effective. Just make sure you have a clear escape route planned.
Utilize Hiding Spots: Closets and beds are your best friends. As soon as you hear Granny approaching, dive into the nearest hiding spot. Remember to close the door behind you if you're using a closet.
Prioritize Item Collection: There's a general order to the puzzles. Focus on finding the hammer, wrench, and cutting pliers first, as these unlock access to more areas and crucial items.
Don't Rush: Panic is your worst enemy. Take your time, observe your surroundings, and plan your moves carefully. Rushing often leads to mistakes, and mistakes in Granny usually mean a swift end.
Experiment with Difficulties: Granny offers different difficulty settings. Start with "Easy" to learn the ropes. Granny is slower and less perceptive on this setting. As you gain confidence, you can gradually increase the difficulty for a more challenging experience.
Watch Others Play: If you're really struggling, watching gameplay videos can provide valuable insights into item locations, puzzle solutions, and effective evasion tactics.
4. Conclusion: Breaking Free from the Nightmare
Granny is more than just a simple scare fest; it's a masterclass in tension and strategic horror. By understanding the game's mechanics, utilizing stealth and evasion, and approaching the puzzles methodically, you can significantly improve your chances of survival. Each escape feels like a genuine accomplishment, a testament to your perseverance and wit against an unrelenting foe. So, gather your courage, embrace the eerie atmosphere, and prepare to embark on a truly unforgettable gaming experience. Good luck, and may your escape be swift!
1. Welcome to Granny's Labyrinth
Granny isn't your typical horror game where you're armed to the teeth or have a clear objective. Instead, you wake up disoriented, trapped in a decaying house, with a single, terrifying goal: escape. Your captor is Granny, a seemingly frail old woman who possesses surprising speed, acute hearing, and a penchant for inflicting pain. The game thrives on atmosphere, relying on creaking floorboards, distant thuds, and Granny's unsettling humming to keep you on edge. It's a test of patience, observation, and quick thinking, where every decision could mean the difference between freedom and a painful end. This article will delve into the core gameplay mechanics, offer crucial tips for survival, and hopefully, empower you to finally break free from Granny's clutches.
2. Gameplay: A Dance with Danger and Discovery
The core gameplay loop of Granny revolves around exploration, puzzle-solving, and evasion. You have five in-game days to find all the necessary items to open the main exit. Each day, you'll respawn in the same initial room, but Granny's patrol patterns and item locations can vary slightly, keeping you on your toes.
Exploration and Item Collection: The house is a multi-story maze filled with locked doors, hidden compartments, and a surprising number of useful objects. Your primary task is to find various tools: a hammer for breaking boards, a wrench for loosening bolts, a cutting plier for wires, a padlock key, a main door key, and sometimes even a crossbow or shotgun to temporarily incapacitate Granny. These items are often scattered in obscure locations, requiring you to search every nook and cranny, from dusty attics to the dark, spider-infested basement. Be methodical in your searches; a single missed item can lead to endless frustration.
Puzzle Solving: Many of the exit-related items are not directly accessible. Instead, they're part of multi-step puzzles. For instance, you might need to find a specific key to unlock a cabinet, which then reveals another item needed for a different puzzle. These puzzles are generally logical but require careful observation of environmental clues. Pay attention to notes, diagrams, or even the layout of rooms, as they often hint at solutions.
Evasion and Stealth: This is where Granny truly shines as a horror game. Granny's hearing is incredibly sensitive. Dropping an item, knocking over a vase, or even running too loudly will alert her to your presence. Once alerted, she'll come rushing to your location, often appearing from unexpected directions. Your primary defense is stealth. Crawl when necessary, move slowly, and listen intently for her footsteps or the tell-tale creak of a door opening. If she spots you, your options are limited: hide in a closet or under a bed, or attempt to create distance and break line of sight.
Tools for Survival (and Temporary Relief): While direct confrontation is usually a bad idea, there are a few ways to temporarily deal with Granny. The crossbow and shotgun, if found, can stun her for a brief period, giving you precious seconds to escape or complete a task. Be mindful that ammunition is scarce, so use these weapons strategically. Other items like the teddy bear can distract her, drawing her attention to a different part of the house.
3. Tips for Surviving Granny's House
Now that you understand the basics, let's dive into some practical advice to increase your chances of escape.
Learn the Layout: The first few "days" should be spent familiarizing yourself with the house. Understand where rooms connect, where potential hiding spots are, and where common item spawns might be. Knowing your escape routes is crucial when Granny is hot on your heels.
Sound is Your Enemy (and Your Friend): Avoid making unnecessary noise. However, intentionally making noise can be a viable strategy. Dropping an item in one part of the house to draw Granny away while you work on a puzzle in another area can be highly effective. Just make sure you have a clear escape route planned.
Utilize Hiding Spots: Closets and beds are your best friends. As soon as you hear Granny approaching, dive into the nearest hiding spot. Remember to close the door behind you if you're using a closet.
Prioritize Item Collection: There's a general order to the puzzles. Focus on finding the hammer, wrench, and cutting pliers first, as these unlock access to more areas and crucial items.
Don't Rush: Panic is your worst enemy. Take your time, observe your surroundings, and plan your moves carefully. Rushing often leads to mistakes, and mistakes in Granny usually mean a swift end.
Experiment with Difficulties: Granny offers different difficulty settings. Start with "Easy" to learn the ropes. Granny is slower and less perceptive on this setting. As you gain confidence, you can gradually increase the difficulty for a more challenging experience.
Watch Others Play: If you're really struggling, watching gameplay videos can provide valuable insights into item locations, puzzle solutions, and effective evasion tactics.
4. Conclusion: Breaking Free from the Nightmare
Granny is more than just a simple scare fest; it's a masterclass in tension and strategic horror. By understanding the game's mechanics, utilizing stealth and evasion, and approaching the puzzles methodically, you can significantly improve your chances of survival. Each escape feels like a genuine accomplishment, a testament to your perseverance and wit against an unrelenting foe. So, gather your courage, embrace the eerie atmosphere, and prepare to embark on a truly unforgettable gaming experience. Good luck, and may your escape be swift!
#2
BoundStories Website Stories Feedback / Re: Sophie and Mark by Twisted...
Last post by twistedsmile - Today at 12:39:03 AM18. "Stockade" Commentary
Not an actual stockade, but this is about as close as you can get in everyday life.
The basic story idea was a day-long bondage session. The time-stamping gimmick was really a shortcut - it let me write lots of short scenes, rather than have to come up with a single, long narrative.
The tricky part was figuring out what the hell was going to happen over such a span of time. Being tied up and left alone doesn't make for a very compelling narrative. In the first draft, Sophie was just occasionally passing by and doing random stuff to Mark - spanking, writing on him, hanging a weight off his testicles. There is still some of that in the final version, but it feels more intentional.
---
"This was my punishment." - I didn't want to portray this as an ACTUAL punishment. That would have been a bit of an over-reaction considering Mark didn't actually do anything wrong.
"Think you can handle that?" - consent; we're still correcting from chapter 13's 'assumed' consent. And again, not an actual punishment, he can opt out.
"She placed a digital clock on the floor in front of me" - otherwise, how would he know what time it is?
"@ 10:30" - the numerical passages occur at 'round' times because we're effectively periodically checking in on Mark. Other passages happen 'when they happen'. Actually, I planned them out at round times and added/subtracted random minutes to make it feel more 'real'
"213" - the original idea was that Mark would spend some time 'thinking about what he'd done'. Except that he hadn't actually done anything. Mentally factorising numbers was something I did the last time I got a dental filling - good way to keep the brain distracted.
"Window cleaner" - one time, when I was much younger, I was tying myself up (as one does) when I heard the squeak of a window cleaner outside my window. Thankfully, my curtains were closed, but I hid behind the bed all the same.
"Sophie ran in" - originally, I had Sophie actually going shopping. But naturally it's funnier if she's just pretending.
"Sorry baby, traffic was craaaazy." - gotta love someone who commits to a 'bit' (joke).
"guess you want me to let you out then?" - this is what the 'punishment' is really about. The dream brought up fears of abandonment in Sophie, so firstly she's tied Mark down so he literally can't leave. At the same time, she's 'testing' him - giving him every opportunity to ask to be released ('leave'). I'm not sure if Mark is actually consciously aware of this.
"Multiple of 7? I could never remember the test for that" - wikipedia lists several tests for divisiblity by 7. The 'easiest' is probably "Subtracting twice the last digit from the rest gives a multiple of 7". 1597 is indeed prime, in case you were wondering.
"you probably got plenty of practice [giving blowjobs] with Brett." - as we saw in chapter 14, he didn't, in fact.
"I felt the wet cock brush my arse, and I clenched up. She... slid the dildo between my legs" - Sophie paying attention to the way mark's body responds, without calling attention to it (chapter 16)
"22 across, 'devilry', 8 letters starting with 'M'..." - mischief
"14 down, 'unaware', 8 letters with an 'E' in the middle..." - clueless; specifically about the fact that Sophie is writing on his back
"16 across, 'colour', 6 letters, 3rd letter 'L'. Any ideas, baby?" - yellow; trying to trick mark into saying the safe word
Obviously, she's not doing a real crossword. Otherwise those words appearing would be a pretty big coincidence!
"That movie's coming out soon... The one with whats-his-face?" - making small talk in the middle of a bondage session. I didn't want to reference a specific film/actor so as not to date the story.
"She was sitting to the side of me with her laptop" - just hanging out. I think she might be lonely.
"Dani says 'hi', by the way." - Dani was previously mentioned in chapter 15.5; with whom Sophie had a lesbian dalliance. It's nice that they're keeping in touch.
"How does Thai sound?" - the local Thai place is first mentioned in "Alex & Becca" 1
"Her hand was rested on my arm" / "Her hand was now on top of mine... lightly clutching it" / "She slid her hand under mine, lacing our fingers together" - casual, escalating intimacy
"I pictured her in that latex dress" - chapter 15
"I pictured her in the corset" - chapter 8, but also chapter 13. Nice to know Mark doesn't have any lingering, negative associations with the corset from the threesome.
"Cherry Burst" - this is meant to be the name of the candle (fragrance). I considered something more suggestive like "Cherry Spank", "Spanked with Cherries". But they just felt too corny/implausible.
"I could have sworn the candle looked like new" - as in, she didn't actually light it. Obviously, it would have been very dangerous if she had. I thought about doing some wax play, but that felt like just doing it for the sake of doing it; it wouldn't have added anything.
"She sat down on the floor in front of me" - notice that she started in a completely different room (pretending to be out of the house), then sat behind him, then beside him, and now in front - face to face, and physically below him. You might call it a literalisation of emotional distance. At this point she's really waiting for the session to be over, maybe more so than mark
"Dani's got this look like 70s Bowie" - we'll come back to this (literally). Chapter 19 is the story that Sophie is telling Mark here.
"21:12" - quite a long story, as it turns out; over 1 hour
"I'd love to meet her." - I set myself a trap here, where chapter 19 has to believably changes Mark's opinion of Dani
"We could invite Brett over too" - whenever I mention Brett outside of his series, I imagine readers screaming 'stop trying to make Brett happen!'
"oof, that floor is NOT comfortable." / "I had to laugh." - because she's complaining about being uncomfortable to Mark, who has been chained to a table all day.
"Or, is it just because I mentioned Brett?" - Sophie seems to have some amount of jealousy/competitiveness towards Brett; whether or not she's aware of it.
"I bet [Brett] doesn't [give blow jobs] as good as I do" - callback to chapter 14 - "I definitely wasn't comparing [Brett] to anyone else, but if I were... No, stop it." I was tempted to have Mark comment on it in this chapter, but it felt a bit crass.
"I once again felt like that cow" - you might even say that she was milking him
"This milkshake seemed different. It had a strange texture, and a familiar, slightly salty taste" - if you were paying attention, Sophie was still holding on to the empty glass from which she gave Mark his water; into which she captured his seed.
- "strange texture" is to (hopefully) make it clear that it isn't urine he's drinking.
- "familiar" taste because he has tasted his own cum before (chapter 4), as well as someone else's cum (chapter 13)
"You really stayed" / "I promise I'll never leave you like that" - and just like that, all their problems were solved; but for real this time. We've had enough of dealing with relationship problems
"she'd gotten the stockade idea from some smut she'd read online" - I've done some pretty self-indulgent things in this series. Having Sophie read one of my other stories ("The Queen's Trial") has got to be up there.
Listen, I'm a silly person, and I wanted to make all my stories part of the same 'twisted smile pornographic universe'. And really, this was the only want to make that one fit. I actually wrote the draft for this chapter BEFORE I wrote 'The Queen's Trial'.
"about... Wait a minute" - for the sake of taste, Mark's train of thought is interrupted before he can draw too much attention to my self-referencing
"7:30 (ish)" - he just got out of the shower so doesn't have eyes on a clock for an exact time
"When did she do that?" - like I said, during the fake crossword
Not an actual stockade, but this is about as close as you can get in everyday life.
The basic story idea was a day-long bondage session. The time-stamping gimmick was really a shortcut - it let me write lots of short scenes, rather than have to come up with a single, long narrative.
The tricky part was figuring out what the hell was going to happen over such a span of time. Being tied up and left alone doesn't make for a very compelling narrative. In the first draft, Sophie was just occasionally passing by and doing random stuff to Mark - spanking, writing on him, hanging a weight off his testicles. There is still some of that in the final version, but it feels more intentional.
---
"This was my punishment." - I didn't want to portray this as an ACTUAL punishment. That would have been a bit of an over-reaction considering Mark didn't actually do anything wrong.
"Think you can handle that?" - consent; we're still correcting from chapter 13's 'assumed' consent. And again, not an actual punishment, he can opt out.
"She placed a digital clock on the floor in front of me" - otherwise, how would he know what time it is?
"@ 10:30" - the numerical passages occur at 'round' times because we're effectively periodically checking in on Mark. Other passages happen 'when they happen'. Actually, I planned them out at round times and added/subtracted random minutes to make it feel more 'real'
"213" - the original idea was that Mark would spend some time 'thinking about what he'd done'. Except that he hadn't actually done anything. Mentally factorising numbers was something I did the last time I got a dental filling - good way to keep the brain distracted.
"Window cleaner" - one time, when I was much younger, I was tying myself up (as one does) when I heard the squeak of a window cleaner outside my window. Thankfully, my curtains were closed, but I hid behind the bed all the same.
"Sophie ran in" - originally, I had Sophie actually going shopping. But naturally it's funnier if she's just pretending.
"Sorry baby, traffic was craaaazy." - gotta love someone who commits to a 'bit' (joke).
"guess you want me to let you out then?" - this is what the 'punishment' is really about. The dream brought up fears of abandonment in Sophie, so firstly she's tied Mark down so he literally can't leave. At the same time, she's 'testing' him - giving him every opportunity to ask to be released ('leave'). I'm not sure if Mark is actually consciously aware of this.
"Multiple of 7? I could never remember the test for that" - wikipedia lists several tests for divisiblity by 7. The 'easiest' is probably "Subtracting twice the last digit from the rest gives a multiple of 7". 1597 is indeed prime, in case you were wondering.
"you probably got plenty of practice [giving blowjobs] with Brett." - as we saw in chapter 14, he didn't, in fact.
"I felt the wet cock brush my arse, and I clenched up. She... slid the dildo between my legs" - Sophie paying attention to the way mark's body responds, without calling attention to it (chapter 16)
"22 across, 'devilry', 8 letters starting with 'M'..." - mischief
"14 down, 'unaware', 8 letters with an 'E' in the middle..." - clueless; specifically about the fact that Sophie is writing on his back
"16 across, 'colour', 6 letters, 3rd letter 'L'. Any ideas, baby?" - yellow; trying to trick mark into saying the safe word
Obviously, she's not doing a real crossword. Otherwise those words appearing would be a pretty big coincidence!
"That movie's coming out soon... The one with whats-his-face?" - making small talk in the middle of a bondage session. I didn't want to reference a specific film/actor so as not to date the story.
"She was sitting to the side of me with her laptop" - just hanging out. I think she might be lonely.
"Dani says 'hi', by the way." - Dani was previously mentioned in chapter 15.5; with whom Sophie had a lesbian dalliance. It's nice that they're keeping in touch.
"How does Thai sound?" - the local Thai place is first mentioned in "Alex & Becca" 1
"Her hand was rested on my arm" / "Her hand was now on top of mine... lightly clutching it" / "She slid her hand under mine, lacing our fingers together" - casual, escalating intimacy
"I pictured her in that latex dress" - chapter 15
"I pictured her in the corset" - chapter 8, but also chapter 13. Nice to know Mark doesn't have any lingering, negative associations with the corset from the threesome.
"Cherry Burst" - this is meant to be the name of the candle (fragrance). I considered something more suggestive like "Cherry Spank", "Spanked with Cherries". But they just felt too corny/implausible.
"I could have sworn the candle looked like new" - as in, she didn't actually light it. Obviously, it would have been very dangerous if she had. I thought about doing some wax play, but that felt like just doing it for the sake of doing it; it wouldn't have added anything.
"She sat down on the floor in front of me" - notice that she started in a completely different room (pretending to be out of the house), then sat behind him, then beside him, and now in front - face to face, and physically below him. You might call it a literalisation of emotional distance. At this point she's really waiting for the session to be over, maybe more so than mark
"Dani's got this look like 70s Bowie" - we'll come back to this (literally). Chapter 19 is the story that Sophie is telling Mark here.
"21:12" - quite a long story, as it turns out; over 1 hour
"I'd love to meet her." - I set myself a trap here, where chapter 19 has to believably changes Mark's opinion of Dani
"We could invite Brett over too" - whenever I mention Brett outside of his series, I imagine readers screaming 'stop trying to make Brett happen!'
"oof, that floor is NOT comfortable." / "I had to laugh." - because she's complaining about being uncomfortable to Mark, who has been chained to a table all day.
"Or, is it just because I mentioned Brett?" - Sophie seems to have some amount of jealousy/competitiveness towards Brett; whether or not she's aware of it.
"I bet [Brett] doesn't [give blow jobs] as good as I do" - callback to chapter 14 - "I definitely wasn't comparing [Brett] to anyone else, but if I were... No, stop it." I was tempted to have Mark comment on it in this chapter, but it felt a bit crass.
"I once again felt like that cow" - you might even say that she was milking him
"This milkshake seemed different. It had a strange texture, and a familiar, slightly salty taste" - if you were paying attention, Sophie was still holding on to the empty glass from which she gave Mark his water; into which she captured his seed.
- "strange texture" is to (hopefully) make it clear that it isn't urine he's drinking.
- "familiar" taste because he has tasted his own cum before (chapter 4), as well as someone else's cum (chapter 13)
"You really stayed" / "I promise I'll never leave you like that" - and just like that, all their problems were solved; but for real this time. We've had enough of dealing with relationship problems
"she'd gotten the stockade idea from some smut she'd read online" - I've done some pretty self-indulgent things in this series. Having Sophie read one of my other stories ("The Queen's Trial") has got to be up there.
Listen, I'm a silly person, and I wanted to make all my stories part of the same 'twisted smile pornographic universe'. And really, this was the only want to make that one fit. I actually wrote the draft for this chapter BEFORE I wrote 'The Queen's Trial'.
"about... Wait a minute" - for the sake of taste, Mark's train of thought is interrupted before he can draw too much attention to my self-referencing
"7:30 (ish)" - he just got out of the shower so doesn't have eyes on a clock for an exact time
"When did she do that?" - like I said, during the fake crossword
#3
Suggestions / Re: asstr
Last post by teanndaorsa - November 12, 2026, 09:46:47 PMThere are so many links that don't work any more 
But thank you for the suggestion.
Going through the Authors pages and comparing against my own dump of asstr taken in 2020, only a tiny fraction of the authors are on there: a little over 5000 authors had work up on the original, and this one seems to only have a few dozen.
Ahh... bit more digging suggests that the file browser has all the content but the website part with the indexes and search is broken, making it very hard to find stories by author, which is what a lot of our asstr links are. Still, a partially broken site is better than no site at all.
But thank you for the suggestion.Going through the Authors pages and comparing against my own dump of asstr taken in 2020, only a tiny fraction of the authors are on there: a little over 5000 authors had work up on the original, and this one seems to only have a few dozen.
Ahh... bit more digging suggests that the file browser has all the content but the website part with the indexes and search is broken, making it very hard to find stories by author, which is what a lot of our asstr links are. Still, a partially broken site is better than no site at all.
#4
Intros / Re: Hi everyone
Last post by Caras pet - November 12, 2026, 07:38:31 AMWelcome aboard, Sophie!
#5
Intros / Hi everyone
Last post by RainViper - November 12, 2026, 07:27:18 AMHello, my name is Sophie. For several years, I have been a guest on this site, enjoying the various stories about rubber, latex, bondage, and transformation.
#6
Suggestions / asstr
Last post by sammy808 - November 11, 2026, 09:22:25 AMhi, sorry to be a bother. asstr.org no longer resolves, so the link to it in the link section doesn't work. there's a new asstr-mirror.org that has attempted to serve all the stories that were on the original site. it's not complete, but it's like 70-80% complete from my recent studies, so maybe it's worth replacing?
i know there are other old links that don't work anymore, but this one has at least some solution that could help people. again, sorry to be a bother.
<3
i know there are other old links that don't work anymore, but this one has at least some solution that could help people. again, sorry to be a bother.
<3
#7
BoundStories Website Stories Feedback / Re: The Atlantean Slave Collar...
Last post by Zoé Cordelier - November 10, 2026, 07:13:54 PMDon't get your hopes up too much. But at least they try.
#8
General Discussion / Re: kink and fetishes: fantas...
Last post by sammy808 - November 10, 2026, 09:56:39 AMi've done most of the things i write about.
i kind of miss my enema era. every saturday night, staying up until 2am, purging the last of the fluid.
but i'm older now, and kneeling on the bathroom floor is less fun now. we need to evolve better knees.
being mummified for the first and only time confirmed how much that was a thing for me.
but, let's go onto sexuality. i'm pretty sure i've done them all. comp-het in school, lesbian in college, mixed up bi- to pan- in extra college. ace now. i'm never going to find someone to do crime against humanity level perv on me, and that's probably a good thing. at least for me growing old, i guess.
i did do self-bondage, usually on those enema saturdays, since that was the safest time. i had a few incidents where i had to recite the thing i later found out was just from the dune movie or something "something something 'fear is the mind-killer' something something whatever, a crib from St. Francis. but i'm here, and i've long had that duct tape glue washed off my skin.
i've accepted an ascetic life. my match cross-section of the current population is vanishingly small.
idk what you want, but stop and think about this:
* you exist in a body, and you will wear that body until you die.
* other people have largely equivalent bodies
* if you wear something you like, it hurts other people zero percent. "they're scandalized!" why?
* * everyone has a body
* * that body was born naked
* * that body will die, and no clothes can fix that.
* * so clothing is just an affectation. it doesn't change the fundamental person.
* * so wearing rubber, latex, pvc, or whatever, really shouldn't be something people get upset about.
* * * i understand that i live in, and imagine largely, a utopian university-based life.
* * * * but under which standard does the guy at the deli, the lady making you pancakes, or the senator you just called and yelled at. under which standard are these different from the previously stated points.
sorry. i think i got too up my own ass on this one. happy to be deleted and banned for a bit if that's the verdict.
all i can do is be the me that i think i am.
i am so glad you could go and visit what seems like your Mecca. i hope you have many years to visit there. XD
and yeah. the bad things. not going to detail them here, but yeah. bad things. from people you think you can trust.
which might be a bit of the reason i identify ace now.
sorry that this is a rambling mess. chats aren't stories, and i need to get that in my head right
i kind of miss my enema era. every saturday night, staying up until 2am, purging the last of the fluid.
but i'm older now, and kneeling on the bathroom floor is less fun now. we need to evolve better knees.
being mummified for the first and only time confirmed how much that was a thing for me.
but, let's go onto sexuality. i'm pretty sure i've done them all. comp-het in school, lesbian in college, mixed up bi- to pan- in extra college. ace now. i'm never going to find someone to do crime against humanity level perv on me, and that's probably a good thing. at least for me growing old, i guess.
i did do self-bondage, usually on those enema saturdays, since that was the safest time. i had a few incidents where i had to recite the thing i later found out was just from the dune movie or something "something something 'fear is the mind-killer' something something whatever, a crib from St. Francis. but i'm here, and i've long had that duct tape glue washed off my skin.
i've accepted an ascetic life. my match cross-section of the current population is vanishingly small.
idk what you want, but stop and think about this:
* you exist in a body, and you will wear that body until you die.
* other people have largely equivalent bodies
* if you wear something you like, it hurts other people zero percent. "they're scandalized!" why?
* * everyone has a body
* * that body was born naked
* * that body will die, and no clothes can fix that.
* * so clothing is just an affectation. it doesn't change the fundamental person.
* * so wearing rubber, latex, pvc, or whatever, really shouldn't be something people get upset about.
* * * i understand that i live in, and imagine largely, a utopian university-based life.
* * * * but under which standard does the guy at the deli, the lady making you pancakes, or the senator you just called and yelled at. under which standard are these different from the previously stated points.
sorry. i think i got too up my own ass on this one. happy to be deleted and banned for a bit if that's the verdict.
all i can do is be the me that i think i am.
i am so glad you could go and visit what seems like your Mecca. i hope you have many years to visit there. XD
and yeah. the bad things. not going to detail them here, but yeah. bad things. from people you think you can trust.
which might be a bit of the reason i identify ace now.
sorry that this is a rambling mess. chats aren't stories, and i need to get that in my head right
#9
BoundStories Website Stories Feedback / Re: The Atlantean Slave Collar...
Last post by sammy808 - November 10, 2026, 04:25:43 AMwait, wait, wait. people are making reasonable choices and taking time to study? i didn't know you could do that in a story! 
looking forward to the next part!
looking forward to the next part!
#10
General Discussion / Re: kink and fetishes: fantas...
Last post by Eido - November 09, 2026, 05:40:01 PMHello Observer, to your first question, I'm going with all of the above, depending on the year. I have been around long enough that my kinks have been just a fantasy, something I wanted to experience some day, then dabbled with, and they became important to me. Somewhere in that important phase, I realized that they weren't that important in comparison to other things in life, and I went back to dabbling.
Again. At one time I thought I was okay with them. Then they became troubling to me. Finally I reached a point where I just quit caring. I don't think of my kinks as my sexuality. They are/were accessories to play around with.
Bad things happened to me, and I think that has influenced my attitude, unconsciously at first, then with deliberation. I am genuinely glad to read that you are in the group for which kinks are a great time. I hope it is always so for you.
Eido
Again. At one time I thought I was okay with them. Then they became troubling to me. Finally I reached a point where I just quit caring. I don't think of my kinks as my sexuality. They are/were accessories to play around with.
Bad things happened to me, and I think that has influenced my attitude, unconsciously at first, then with deliberation. I am genuinely glad to read that you are in the group for which kinks are a great time. I hope it is always so for you.
Eido
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